Simón Vélez lecture
Excerpts from Simón Vélez's February 2011 Current Work lecture.
Current Work is a lecture series featuring leading figures in the worlds of architecture, urbanism, design, and art.
In this excerpt from his February 2011 Current Work lecture at the League, Colombian architect Simón Vélez discusses building with bamboo and various projects he has designed around the world.
Simón Vélez was trained at the University of Colombia in Bogotá, where he has practiced architecture for more than 40 years. His achievement utilizing bamboo as a structural material for architecture grew out of close collaborations and relationships on-site. Often working in rural areas, Vélez capitalized on the lack of regulating authority and the relative difficulty of importing standard building materials such as brick and mortar to experiment with locally available materials. With Marcelo Villegas, he developed a mortar-filled joinery system that allows long-span and cantilevered structures to be built out of bamboo. By building only with his own well-trained crew of workers, Vélez has been able to draw upon past successes and failures in detailing. He intentionally keeps drawings simple, usually freehand on single sheets of 8×11 inch graph paper.
Completed work ranges from low-cost houses that can be built by their inhabitants to large-scale pavilions and commercial projects including: a bamboo pavilion for the Expo Hanover 2000; the Zócalo Nomadic Museum in Mexico City, which houses Gregory Colbert’s “Ashes and Snow”; and a bridge for Crosswaters Ecolodge, the largest commercial project in the world to use bamboo.
Explore
December 18, 1992—January 30, 1993
Renzo Piano Building Workshop: Selected Projects
An exhibition presented by The Architectural League of New York and the Italian Cultural Institute.
Francis Kéré lecture
The Berlin-based, Burkina Faso-born architect discusses his work.
In conversation: Marlon Blackwell and Rick Joy
Blackwell and Joy reflect on first meeting 15 years ago, approaches to teaching, and a shared sensitivity to place while "transgressing the vernacular" in their work.